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Praise

Dear Caron,
I am an RN and just started a new job in a mental health facility. The focus is on children and adolescence. We do a daily "group" with them. We may pick the topic the only criteria being "education" of some sort. I wanted to offer some valuable coping skills kids could use. So, I went to the computer and spent over an hour clicking on lists of Internet items looking for help. I was getting very tired and needed to go to bed. When bingo" I found your article on kids, trauma, and coping skills! I just wanted to say a great big thank-you for your helpful article!
Sincerely ,
Charlotte Rogers

 

 

 

 

 

By Patty Meringer

Choosing a First Music Program for Your Young Child

[Note: This article discusses music programs, particularly group music programs, for preschool and early elementary school-aged children. Future articles will address music lessons for older children, as well as other options available for parents of very young children who choose not to enroll their children in a formal music program.]

It is an inescapable fact that children love music. A baby's reaction to music, a toddler's delight in learning a song - these things and others can lead parents to consider structured music programs of some kind as their child enters preschool or earlier. If you have considered a music program for your preschool or young child, you may have wondered where to start. The aim of this article is to give you some ideas, not only about where to start, but also about where to go from there.

What are your goals?

Goals in early childhood music programs can be diverse - from developing an appreciation for music to getting a jump on the competition in training to be a performing musician. Spending a little time identifying your goals for yourself and your child can save you time, money and anxiety later on.

Exposing young children to formal music classes has two very different types of benefits: the benefit of learning the musical concepts themselves, which can be built upon in later music education, and less tangible, but often equally important benefits in other areas such as discipline and reasoning. Recent research has indicated that music training can improve spatial-temporal reasoning in children, which is a building block for problem solving skills. Music training can also teach children self-discipline and lead to an increase in their attention spans.

If you are most interested in the musical training itself and preparing your child for future private music lessons, your search for an appropriate program should focus on this factor. Suzuki, Kodaly and Kindermusik programs all focus on learning particular instruments, though the instruments vary from one program to another. (See sidebar.) If you want your child to learn musical concepts and theory, perhaps with the intention of allowing your child to choose an instrument to study later, then any of the music programs listed here would be an option for you.

If your child is enthusiastic about a particular instrument, you may need to settle for a program that teaches basic music rather than teaching the skill of the particular instrument, as most music programs for young children are fairly limited in their ability to teach specific instruments. (Suzuki is an exception here, as is Kodaly if your child's instrument of choice is voice.) The Kindermusik program includes a currciulum for children aged 4 to 7 that includes three different types of instruments - a glockenspiel (percussion), a dulcimer (stringed) and a recorder (woodwind) - which gives children some basis for comparing instruments in making choices later.

Some music programs for young children include a variety of types of learning tools and concepts -Kindermusik classes, for example, include biographical information about composers as well as exposure to music and dances from different cultures. These broader-based programs are excellent choices for parents who are unsure whether their children will advance to private music lessons but want a broad exposure to music for their children. These types of programs are also good for children who have not focused on a specific instrument - or even on music specifically - as being of particular interest to them.

Several programs - particularly Dalcroze and orff Schulwerk - focus in part on improvisation and composition. These skills emphasize the creative process which is so evident and magical in young children. These programs also highlight self-expression, one of music's most lasting gifts.

One aspect of early music programs on which every parent should focus is the amount of time required of the parent for class participation and supervising music practice. Most group music programs require parent participation in the class itself for children up to age 4 or 5. After age 5, parent participation in classes is more limited; however, at that point parents are expected to supervise any practice required as well as any assignments to be completed outside of class. Suzuki programs tend to be very time-intensive for parents and children alike but are especially attractive to parents who wish to learn an instrument, or brush up on their music skills, along with their children.

Group Music Programs for Young Children

There are a number of well-established early childhood music programs, and more are being developed all the time. Some or all of these may be available to you depending upon where you live. The information included in the sidebar to this article is a summary of some of the more prominent music programs available for young children. The national headquarters and website information is included so that you may contact the organization directly for more information about the program and the opportunities in your area.

All of these programs, and many others, provide basic musical training in an atmosphere that is suitable for young children. Which program is best suited to you and your child will depend upon your criteria (time, expense, goals), your knowledge of your child and your research into the teachers and programs available in your area.

In analyzing the program, be sure to meet with the teacher and observe a class if possible. The single most important factor in your child's early music education is likely to be his teacher. Many factors that affect your choice of caregivers for young children - love of children, enthusiasm, training, positive approach to managing groups - are equally applicable to music teachers. It is also important in group music classes for young children that the children are engaged, that the class is filled with movement and music and that the children are working toward a goal or understanding of a musical concept.

Trust your parenting instincts to tell you whether the atmosphere you see is the right one for your child and for you. Once you have chosen a program, commit yourself to it enough to give it a fair chance of success and observe your child's response to the program (two to three months should be sufficient). Hopefully you will find not only that the program meets your goals but also that your child is thriving in it. And that result is a success by any measure.


Dalcroze

  • Swiss professor of music Emile Jacques-Dalcroze used movement and rhythm to stimulate awareness of sound, and this program is based upon his work. (The term eurhythmics was ultimately applied to this method and is sometimes still used to describe this program.) A Dalcroze program includes rhythmic movement with improvisation and ear training.
  • Ages of students: 2 years and up.
  • Parent participation: Significant parental participation through age 4, but no formal practice is required. Thereafter, parent participation is at the discretion of the teacher.
  • National organization: Dalcroze Society of America, 272 Alleyne Drive, Cranberry Township, PA 16O66-7402.
  • Website: www.dalcrozeusa.org .

Kindermusik®

  • This program uses elements of other programs, and its curriculum is based primarily on the development of the child. The Kindermusik program builds sequentially from speaking, singing and moving (for the youngest children) to reading and writing music and playing several instruments for children aged 4 through 7.
  • Ages of students: 18 months to 7 years.
  • Parent participation: Parents attend class with youngest children (ages 18 months to 3 years), and parent participation decreases with age thereafter (10 or 15 minutes with the parent, but most of the class is without parents).
  • National organization: Kindermusik International, Inc., P.O. Box 26575, Greensboro, NC 27415.
  • Website: www.kindermusik.com (includes resources for parents, clips of music and class locator.)

Kodaly

  • Summary: Based on the work of Hungarian composer Zoltan Kodaly, this program uses the voice as the primary instrument and utilizes hand signals coordinated with vocal pitches and large motor skills first.
  • Ages of students: Kindergarten through Grade 6.
  • Parent participation: No parent participation in classes.
  • National organization: The Organization of American Kodály Educators , OAKE National Office, 1612 - 29th Avenue South, Moorhead, MN 56560; (218) 227-OAKE (6253) phone; (218) 227-6254 fax; e-mail: OAKEOFFICE@oake.org
  • Website: www.oake.org

Orff Schulwerk

  • Summary: Based on the work of German composer Carl Orff, this program teaches music through songs, poems, chants and games. This program also uses instruments specifically designed by Orff to enable young children to improvise without having to master the techniques of more complex instruments.
  • Ages of students: all ages (including prenatal)
  • Parent participation: Parents participate in the classes until the children are about age 5.
  • National organization: American Orff-Schulwerk Association, Box 391089, Cleveland, OH 44139-8089, phone: 260-543-5366
  • Website: www.aosa.org.

Suzuki

  • Based on the work of Japanese music educator Dr. Shinichi Suzuki, this program teaches music to children in much the same way that children learn their native languages: through repetition and imitation. Though known primarily for violin instruction, Suzuki methods are used for other instruments as well, including cello, guitar, harp, flute and piano.
  • Age of students: Begins at age 2.
  • Parent participation: Private Suzuki lessons almost always require a high degree of parent participation, including attending lessons and group activities, as well as participating in music practice.
  • National organization: Suzuki Association of the Americas, PO Box 17310, Boulder, CO 80308; Ph: 303-444-0948; Fax: 303-444-0984 .
  • Website: suzukiassociation.org. This website includes resources for parents and teacher location services.

Copyright © 2003 Inspired Living International. All rights reserved worldwide.

About The Author ...

Patricia C. Meringer is a parent, step-parent, musician, writer and lawyer shares her passion for music and the breadth of its magic in educating and nurturing our children.

 

   
©2007 HeartWise Parenting